Archive for Movies

The Deer Hunter

 

I spent four hours watching The Deer Hunter this weekend.  If you have not seen it, see it.  And then, when you’ve done the deed and are emotionally exhausted, look up all the fun trivia on IMDB and Wiki. 

I don’t do movie reviews anymore – I have been informed that I have nothing original to say and really, who does?  From now on it’s just a see it or don’t see it.  Simple.

The only bad thing about the movie is the actual killing of the deer – stunt deer indeed, Douglas! 

Christopher Walken, you rock – no surprise you won the Oscar for Best Actor in a Supporting Role.

The Courtship of Eddie’s Father (1963)

A very special performance by Ron Howard inspired me to write this post.  It is absolutely clear from this performance why Ron Howard has gone on to have such a varied and successful career.  I believe he was 9 in this movie, and yet it is the acting of a veteran actor.  Indeed, he had already acted in many movies and television shows prior to this movie, but there is no amount of experience that can account for his incredibly endearing, realistic, and unaffected performance in this movie.

The movie itself, directed by Vincente Minelli, is not particularly interesting per se.  However, the lead actor Tom Corbett, is always interesting in my opinion, if only for his voice alone (plus I always expect him to do something funny). 

And my goodness, if you want to know what gorgeous looks like you simply must see the young Shirley Jones, playing the girl (woman) next door.  She wasn’t crowned Miss Pittsburgh in 1952 for nothing (at the tender age of 18).  She appears in this movie just three years after her oscar-winning performance in Elmer Gantry.  Of course, I’ll always love her as the mother in my all-time favourite TV show, ‘The Partridge Family’.  Apparently that role was not her proudest moment, which I find deeply distressing (or at least as distressed as I can be about TV) but I forgive her artistic snobbery. 

The Longest Day (1962)

It’s very simple.  If you haven’t seen The Longest Day you have missed one of the best war movies ever.  I’m no history buff so I don’t know how accurate it truly is but it certainly comes across as authentic right down to the various nationalities actually speaking their own languages (don’t you hate it when you’re watching German soldiers speak English?  Why, I even saw an old movie once in which the German soldiers had British accents – and that was really trippy).  Anywho, you should see this movie, even if it is 3 hours long.  It was a long day for those soldiers, and this is a fitting tribute.

Doug?  Perhaps you have a comment?

Below you will find some trivia taken from Wikipedia.  I hope you find it scintillating:

Richard Todd (playing Major John Howard, Officer Commanding D Company of The 2nd Battalion The Oxfordshire and Buckinghamshire Light Infantry, Air Landing Brigade, 6th Airborne Division) was himself in Normandy on D-Day, and participated as Capt. Todd of the 7th Parachute Battalion, 5th Parachute Brigade, British 6th Airborne Division. His battalion actually went into action as reinforcements, via a parachute jump (after the gliders had landed and completed the initial coup de main assault). Capt. Richard ‘Sweeney’ Todd was moved from the plane he was originally scheduled to jump from, to another. The original plane was shot down, killing everyone on board.

As a 22-year-old private, Joseph Lowe landed on Omaha Beach on D-Day with the Second Ranger Battalion and scaled the cliffs at Point-Du-Hoc. He scaled those hundred-foot cliffs all over again, for the cameras, some 17 years later.

Darryl F. Zanuck was quoted in an interview as saying that he didn’t think much of actors forming their own production companies, citing The Alamo (1960), produced by John Wayne, as a failure of such ventures. Wayne found out about this interview before being approached by Zanuck, and refused to appear in the film unless he was paid $250,000 for his role (when the other famous actors were being paid $25,000). Wayne got his requested salary.

Henry Grace was not an actor when being cast as Dwight D. Eisenhower, but his remarkable resemblance to Eisenhower got him the role.

Former U.S. President Dwight D. Eisenhower was considered for the role of himself in the film, and he indicated his willingness. However, it was decided that makeup artists couldn’t make him appear young enough to play his WWII self.

Due to the massive cost overruns on the film Cleopatra (1963) (which was filming contemporaneously), Darryl F. Zanuck had to agree to a fixed filming budget. After he had spent the budgeted amount he started using his own money to pay for the production.

According to fellow veterans major Werner Pluskat was not at his command bunker in Omaha Beach when the first wave of the invasion forces landed, instead he was in a bordello in Caen.

The theme song to the movie, by Paul Anka, was used as the Regimental march of the Canadian Airborne Regiment (1968-1995)

The piper who played the bagpipes as Lord Lovat’s commandos stormed ashore is played by the late Pipe Major Leslie de Laspee who was at the time Pipe Major of the London Scottish Pipe Band, and personal piper to HM the Queen Mother. The actual man who did this stirring deed on D-Day is Bill Millin. He recently donated that very set of pipes to the national war memorial in Edinburgh Castle.

While clearing a section of the Normandy beach near Ponte du Hoc, the film’s crew unearthed a tank that had been buried in the sand since the original invasion. Mechanics cleaned it off, fixed it up and it was used in the film as part of the British tank regiment.

One of producer Darryl F. Zanuck’s big worries was that, as filming of the actual invasion drew near, he couldn’t find any working German Messerschmitts, which strafed the beach, or British Spitfires, which chased them away. He finally found two Messerschmitts that were being used by the Spanish Air Force, and two Spitfires that were still on active duty with the Belgian Air Force, and rented all four of them for the invasion scenes.

An estimated 23,000 troops were supplied by the U.S., Britain and France for the filming. (Germans only appeared as officers in speaking roles.) The French contributed 1,000 commandos despite their involvement in the Algerian War at the time.

The Spitfire planes needed to be fitted with new Rolls-Royce engines before being usable.

No gliders of the sort used in the invasion were available, so Darryl F. Zanuck commissioned new duplicates from the same company that built the originals.

The fleet scenes were filmed using 22 ships of the U.S. Sixth Fleet during maneuvers off Corsica between June 21-30, 1961. The cameras had to avoid shooting the area where the fleet’s aircraft carrier was positioned, as there were no carriers in the invasion.

Just before shooting began in Corsica, Darryl F. Zanuck was approached by a man stating he represented the beach owners. He insisted on a $15,000 payment or else they would drive modern cars along the beach. Zanuck paid the money, but it was later discovered to be a scam as there were no private beaches in Corsica. Zanuck eventually won damages after an eight-year lawsuit.

As there was a nudist colony two miles inland from the Corsican beach, it was necessary to post signs warning the colonists not to approach the water during filming.

During shooting in Ste. Mère-Eglise, traffic was stopped, stores were closed and the power was shut down in order not to endanger the paratroopers who were unused to night drops in populated areas. Still, the lights and staged fire proved too difficult to work around, and only one or two jumpers managed to land in the square – with several suffering minor injuries. One of the initial jumpers broke both legs in landing. Ultimately, plans to use authentic jumps were abandoned, opting instead for rigged jumps from high cranes.

Eddie Albert, who played Colonel Thompson, was a World War II veteran. However, Albert actually served in the Pacific, not in Europe.

With a $10,000,000 budget, this was the most expensive black & white film ever made until Schindler’s List (1993).

During the filming of the landings at Omaha Beach, the American soldiers appearing as extras didn’t want to jump off the landing craft into the water because they thought it would be too cold. Robert Mitchum, who played General Norm Cota, finally got disgusted with them and jumped in first, at which point the soldiers had no choice but to follow his example.

In Italy for the filming of Cleopatra (1963), Roddy McDowall became so frustrated with the numerous delays during its production, he begged Darryl F. Zanuck for a part in this picture just so he could do some work. He ended up with a small role as an American soldier.

One of the very first World War II films made by an American studio in which the members of each country spoke nearly all their dialogue in the language of that country: the Germans spoke German, the French spoke French, and the Americans and Britishers spoke English. There were subtitles on the bottom of the screen to translate the various languages.

Richard Todd, veteran of the action at the bridge at Benouville (later renamed Pegasus Bridge) (see Item 1 above), was offered the chance to play himself but joked, “I don’t think at this stage of my acting career I could accept a part ‘that’ small.” He played the commander of the actual bridge assault itself, Major John Howard, instead.

The role of Lieutenant Colonel Benjamin Vandervoort was actively sought by Charlton Heston, but the last-minute decision of John Wayne to take a role in the film prevented Heston from participating.

Four Spitfires were used in the strafing sequence. They were all ex-Belgian target tugs and all were MK9’s. The serial no.s were MH415, MK297, MK923 and MH434 and all are still extant. The Spitfires were assembled and co-ordinated by former free French Spitfire pilot Pierre Laureys who flew with 340 Squadron, a free French unit in the RAF. The 4 Spitfires were of course re-painted in 340 Squadron markings. Spitfire MK923 was between 1963 and 1998 owned by film actor and Oscar winner Cliff Robertson.

In his memoirs Christopher Lee recalls being rejected for a role in the movie because he didn’t look like a military man (he served in the RAF during WW2).

The Messerschmitts used to portray Luftwaffe fighters were not Bf-109s, but were actually Bf-108 Taifuns, a four-seat cabin monoplane design with a wider fuselage.

Kenneth More, playing Capt. Colin Maud, carried the shillelagh Maud had used in the actual invasion. Maud loaned it to More so the actor could use it in the film.

In researching his contribution to the script, Romain Gary uncovered one of Cornelius Ryan’s mistakes: the casino at Ouistreham had not existed on June 6, 1944. Since the casino set had already been built, however, the scene taking place there was filmed anyway.
A little artistic license never hurt anybody…

28 Days Later

I decided to see this movie in preparation for 28 Weeks Later – which looks like a good movie from all the commercials I’ve seen.

I’m not really a fan of science fiction unless it’s a really good story.  I don’t know if this movie qualifies as science fiction but I don’t know what else I would call it.  It does, however, have an excellent story.  There’s a romantic storyline, a redemption storyline, and a plain old apocolypse storyline. 

It begins with a woman letting loose an infected animal a la pandora’s box.  She is dealt with in a manner that lets the viewer know exactly what the movie is all about – kill or be killed.  As with all great movies one never knows quite when it’s going to happen however.  Reminds me of one of the Exorcist movies in that respect (the one where you see the bad guy scuttling in the background unbeknownst to the protagonist – startles the heck out of me every time I see it).

It’s also the type of movie where the good guys die, and sometimes you’re not even sure who the good guys are.  It keeps you on your proverbial toes.  I like the part where the young girl, after suffering much misfortune, then seeing her saviour shot point-blank in the chest, reverses the car she’s driving and delivers the evil man to the infected (he gets ripped right out of the back window).  It’s a satisfying moment.

I cannot finish without mentioning the haunting images of a deserted London.  I imagine they used digital photography to remove the people and cars because even first thing in the morning there must be people about in the places he visits.  The cinematography is startlingly original.  The rare but brilliant colours, and use of light and dark blend together to create a surrealistic and stark atmosphere that evokes a true sense of hope amidst apparent ruin.

The movie is full of comedic little moments that are sometimes quite subtle.  I’m sure there are many references to such classics as “Night of the Living Dead”, “The Day the Earth Stood Still”, and “The Day of the Triffids” etc.  There is a moment in the movie when one of the bad guys approaches a vehicle and it made me flash back to a movie I watched as a child (behind my parent’s backs no doubt) in which a character does the same thing and is horribly startled when a madwoman suddenly presses her face against the glass.  Scared me silly.

I might also add that the male star of the movie (I have no idea who he is) is quite easy on the eyes.  To quote the movie “hello!”

Suddenly, Last Summer (1959)

What can I say about this movie?  It was shocking to say the least.  The commentator warned us viewers that it included such taboo subjects (at the time) as homosexuality, incest, and cannibalism, but I didn’t think that the three would be interwoven in such a dramatic and bizarre manner.  Perhaps I should have known since it was based on a play written by Tennessee Williams but there you go.

To tell you more of what happened would spoil the ending.  Granted there is a lot of foreshadowing that gives one a pretty good idea of what is to come, but the ending is so horrific that even if one feels certain they know they will still be surprized by the sheer violence of it all.

It is the strangest and most compelling movie of that era I have ever seen.  The fact that it stars Katherine Hepburn, Montgomery Clift, and Elizabeth Taylor doesn’t hurt.  Both Katherine and Elizabeth were nominated for an Oscar for their roles (neither won).  At the end of filming Katherine spat on the the director, and never spoke to him again.  Apparently she objected to his treatment of Monty whose homosexuality he apparently had issue with.  One can almost understand why the director would want to direct this movie, harboring such sentiments.  In some ways it can be seen as a morality play, ie look what happens to homosexuals when they let their desires get the best of them.

The movie is too complex for such a simple explanation however.  You must see it in order to know what I mean. 

God save the sea turtles.

Back to the Blog

I’m baaaack!  Well, I never really went away but I’ve certainly been neglecting my blog.  Two things have kept me from blogging lately.  First of all I discovered two old movie channels on my TV.  So now it seems there is always a good old movie to watch, and I watch them endlessly.  After a weekend they all blur into one and I can’t remember who was in what with whom.  But that’s alright, they’re still very enjoyable.  I particularly enjoy watching the way things were – the way people behaved in the 30’s and 40’s, their technology (or lack thereof), and even the architecture and decorating.

The second thing that has been conspiring to take up all my time is that I’m making notes on a new novel I intend to begin this weekend.  The main character is based on my unknowing muse, Rutger Hauer.  It’s high time he came off his boat and out of semi-retirement.  A talent like that should be exercised until the bitter end.  So I have taken on the job of creating a suitable vehicle for the dashing Dutchman.  I just had the idea of perhaps posting some exerpts from my story as I go along – kinda like the New Yorker.  Perhaps input from the public at large would be very useful….I’m not sure though.  I’m very jealous of my creations and may not want anyone to read it until it is finished.

That reminds me of something that happened to me a few years ago.  I spent about 2 years writing a screenplay about a young boy who ran the Boston Marathon.  In my mind it starred Robin Williams as the coach/father figure of the boy.  Anyways, I finished it and was wondering what to do when I happened to see a commercial on tv – about a young boy who ran the Boston Marathon.  I felt sick.  I had never consciously heard of the movie.  And the story was not the same, but it was similar enough to give me serious pause.  I stopped writing for a long time.  It was a very disheartening experience.

But now things are back on track.  I’m inspired.  All I have to do is look at my lovely autographed photo of Rutger and the words pour out of me.

Most underrated actor of our time.  He should have been a superstar.  But perhaps, as they say, the play is the thing.  Nothing else matters.

Brokeback Mountain

If you haven’t seen the movie and don’t want to learn any of the plot points etc. before viewing it, don’t read any further.

Yes, I finally saw it.  But it wasn’t an easy thing.  My friend lent me his DVD player so I could watch some movies but he didn’t want to see Brokeback so I watched it alone.  Unfortunately, my friend forgot to bring the remote.  As most of you know, there is very little one can do without the remote except for ‘play’ and ‘pause’ and ‘open/close’. 

Anyways, I started to watch the movie and it seemed awfully dark, literally, but I didn’t think much of it because a lot of the scenes were at night or dusk (or so I thought).  By the time I got to the tent scene I knew something was wrong.  It was completely black and I couldn’t see a thing of what was going on.  For a moment I entertained the idea that the filmaker made the love scene dark so as to accommodate more sensitive viewers or to receive a lower guidance rating. 

It piqued my curiosity as to what was going on because it sounded like they were fighting and that seemed a little odd (try just listening to that scene and you’ll know what I mean).  So when it was over I turned up the brightness on my tv.  Well what do you know?  It was literally like the difference between night and day.  But of course, I had no way to rewind so I could find out what happened in the tent. 

It seemed something important had happened especially since the characters seemed angry and confused the next morning.  So I started the movie over.  And that’s when I found out what happened and the whole movie started to make sense again.  Anyways, it was a nice love story but in the end quite sad. 

I will say there was one thing I didn’t like about it – the incessant and over-powering music.  It was ringing in my ears for an hour afterwards.  I would recommend seeing it though, as it’s a nice commentary on how things used to be and how far they’ve come. 

Obviously, the world isn’t out of the woods yet in terms of accepting homosexuality (I mean they can’t even get married in most places!) but I haven’t heard any stories lately in which a man was dragged to his death by a rope tied around his penis simply because he loved other men. 

Alfie (1966)

Well, I just finished watching ‘Alfie’; the original version of course.  It always seems to me that if a movie is worth re-making then it must have been pretty darn good – and that the re-make is subsequently disappointing.  I very rarely see re-makes for that very reason – they usually suck, compared to the original. 

I can never understand why contemporary audiences find it so difficult to relate to movies made more that a dozen years ago (with a few obvious exceptions).  I think it ties in with the arrested adolescence that is so pervasive in our society.  Everyone seems to consider people in their twenties as somehow not-quite adults (and the twenty-somethings are the lead purveyors of this type of thinking).  And what goes hand-in-hand with this type of thinking?  Disdain for anything ‘Old’.  It makes me laugh really.  On a regular basis.  I enjoy being called old by someone ten years younger than me, because I know in ten years it will really hit them hard.  Anyways, I digress – and not very gracefully or lucidly.  I know what I mean and that’s all that matters!  Ha ha.

‘Alfie’ is a great movie.  Michael Caine is superb.  I mean absolutely superb as Alfie.  It’s a wonderful movie about the pitfalls of protecting your heart at all costs.  Now, one could argue that he is a man without a heart – perhaps an anti-social personality even, but there is one scene where that little argument is laid to rest quite decisively – despite what the character says about it afterwards. 

It reminds me of every playboy I’ve ever known – right down to the British accent.  Not that they all have British accents but it seems to suit somehow – you know? 

As an added bonus the movie has a young actress by the name of Jane Asher.  I knew I recognized her face but it wasn’t until the credits that I realized who she was.  At the time of filming she was engaged to Paul McCartney.  She went on to have quite a successful career of her own – acting and writing – but she never married McCartney, and apparently to this day refuses to speak of him.  Smart girl – very classy. 

And last but not least I liked watching this movie because the year it was released is the year my Mum was pregnant with me – and I like to watch movies of that time period so I can say to myself ’so that’s what the world looked like when I came out’.